Charleston’s Blue Dogs Celebrate 30 Years In 2018

(Charleston, SC, January 2, 2018):

On Friday, December 29, 2017, the Blue Dogs once again took over The Charleston Music Hall in their hometown to celebrate 29 years of making music. This show marked the Americana band’s fifth "homecoming" since their 25th Anniversary show in 2013, and to solidify it as annual affair, in 2014 the band brought in the Medical University of South Carolina (MUSC) Children's Hospital as a charity partner. By evening’s end of the 2017 show--thanks to support from a variety of local sponsors, donations of ticket holders, as well as a generous gift by an anonymous donor and the overall match by The Press On Fund (for pediatric cancer research)--the Dogs fetched over $180,000.00, all of which benefited the capital campaign for the new MUSC Shawn Jenkins Children’s Hospital by funding the pediatric cancer research of MUSC Hematologist-Oncologist Dr. Jacqueline Kraveka. Their four-year total is close to a half a million dollars raised.

The show was again a sellout, and as in years past, the show included special guest appearances--this year featuring two legendary bands from the Carolinas: The Connells from Raleigh NC and The Killer Whales from Charleston SC.

Guests at past shows have included Darius Rucker, Hootie and the Blowfish, Edwin McCain, Radney Foster, Grammy-award-winning songwriter and producer Shawn Camp, 2015 Georgia Music Hall of Fame inductees Drivin’ N Cryin’, SC native Sadler Vaden (former Blue Dogs sideman who is now guitarist for Grammy-nominated Americana artist Jason Isbell), Cary Hudson (formerly of Blue Mountain), Pat McGee, Doug Jones of Greenville SC’s Cravin’ Melon, acclaimed South Carolina singer-songwriter Danielle Howle, Matthew Mayes & John Felty of Brevard, NC's Jupiter Coyote, and most of the former and current members of the Blue Dogs. Unannounced guests are expected each year.

The band continues to perform in 2018 on a regular basis at venues mostly on the East Coast, including clubs, festivals, and colleges as well as for a variety of events. They continue to maintain an international fan-base, with all 9 of their recordings available through iTunes and other digital portals via their distributor, Redeye, and their CD's, DVD's and other merchandise offered exclusively at their website,

2018 marks 30 years since standup bassist Hank Futch joined forces with longtime friend, fellow Cub Scout, and acoustic guitarist/vocalist Bobby Houck under the band name “Blue Dogs,” and so they will celebrate their 30th Anniversary on Saturday, December 29, 2018, once again at The Charleston Music Hall, and with special guests to be announced later in the year.

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Back in 2008, to mark their 20th, the Blue Dogs released a DVD of a live performance in their hometown, recorded in 2005 at a 200-year-old theatre called the Dock Street Theatre (where they not-so-coincidentally had made their first live CD 10 years earlier). On Thanksgiving Day 2008, Live at the Dock Street Theatre…again (Black River) was made available exclusively at, or at the band’s live shows.

That video serves as a milestone in the Dogs’ career in more ways than one. With 99 minutes of footage, it includes guest appearances by some of their good friends and well-known South Carolina musicians: Blue Dogs songwriter Phillip Lammonds, Tommy Dew and Kevin Wadley from the influential 90’s Charleston band The Archetypes, Columbia’s Danielle Howle, and the Adande African Drum ensemble featuring former Dogs percussionist (‘97-’98) Jesse Thrower.
The show might as well be considered the Blue Dogs’ definitive performance. It is packed with 20 songs, pulling from all 5 of their studio releases as well as a couple of songs that have never been released by the band. There are fan favorites throughout. And the band runs the gamut stylistically, flexing their country/pop muscles, but then also weaving in the bluegrass sensibility that goes back to the band’s beginnings, while then managing to incorporate African djembe drums seamlessly into the show.
In fact, what is so obviously present in this show is a Blue Dogs trademark: an loose unpredictability. Various local and regional bluegrass musicians step on and off the stage with ease, most with no rehearsal that day with the band. At one point in the show, the band blows an intro to the song, and without missing a beat, stops and jokes and then starts again. Not surprisingly, the moment was not edited from the footage and made the final cut.
Rounding out the band’s lineup for the show is original Dogs’ drummer Greg Walker, whose first gig with the then-acoustic band was in 1992 at the Music Farm in Charleston, where he spontaneously set up and played and has been the band’s drummer ever since. The newest member of the band is celebrating his 10th anniversary--guitarist David Stewart, who plays flawlessly on this night. Yet the star of the evening could well be the band’s some-time mandolin player, Daren Shumaker, who is all over the stage and all over the songs with tasteful solos and licks and seems to be having the time of his life. Everyone shines in this video, which truly turns out to be just the right kind of celebration as it showcases the achievements of a band 20 years in and on top of their game.

As it turned out, 2005 was a prolific year for the band. In January of that year, Live at Workplay, another live cd released later in 2006, was recorded at the Birmingham, Alabama concert venue of the same name. Produced by Bruce Hornsby guitarist and veteran producer Doug Derryberry, the CD was a warm up of sorts for the Live at the Dock  Street…again DVD, pulling from all of their previous records but featuring just the core group, the current Dogs lineup (the same since 1998): Houck and Futch with Walker and Stewart.
Recorded before a very lively and intimate audience, Workplay features versions of songs from their more recent studio albums Halos and Good Buys, Letters from Round O, and Blue Dogs (all recorded after 1996, when the band went full time), but it also reaches back to their early 90’s recordings Music For Dog People and Soul Dogfood and includes several previously unreleased songs. Many of the Blue Dogs’ most-requested songs are present, including “Walter,” “Isabelle,” “Cosmic Cowboy,” “Bill Bill,” “Half of My Mistakes” (co-written by Bobby Houck and Texan-turned-Nashvillian songwriter Radney Foster) and “Make Your Mama Proud,” plus Hank Futch takes a turn on the acoustic guitar with the gospel song “Children, Go Where I Send Thee” and Arthur Smith’s “Conversation with a Mule.” A rendition of Lyle Lovett’s “L.A. County” and a take on Blue Mountain’s “Blue Canoe” (seemingly custom-made for the Blue Dogs) close the CD in rocking fashion.
The CD received accolades right away, from fans and critics and radio. The Midwest Record Recap writes:

“Once again we have to wonder why this bunch of roots rockers are one of the best bands you never heard of. A hard working outfit that rubs some mighty impressive elbows along their way, here they do a live recap and more of their ten years as pros. Turning the crowd on with great ease, the Dogs deliver the goods and go on their merry way. Funtastic outing that simply lets the good times roll without pretense or affect.”        
The CD was accepted with open arms by XM Radio, where Channel 12’s “X-Country” played numerous tracks from the album until it climbed to #1 on its chart by August 2006. And listeners of one of the biggest AAA/Americana stations in the country, WNCW, put Workplay in its year-end list of the top 50 Americana records of the year.
The Blue Dogs’ previous CD, 2004’s Halos and Good Buys, was produced by Don Gehman (John Mellencamp, REM, Hootie & the Blowfish, Pat Green), garnering excellent critical reviews and extensive airplay, particularly on the Texas music charts. “The road-seasoned band effectively straddles the line between loose rock swagger and radio-friendly hooks,” said Billboard magazine in its review.

An earlier CD, 1999’s Letters from Round O, was produced by Cracker front-man-turned-producer David Lowery and generated radio response from Modern Rock, Triple A and Americana radio, as well as glowing reviews in the New York Times and the Washington Post, among others.
When the band went full time in 1996, the band's first album of all-original material was recorded in the Washington DC-area with producers John Alagia and Doug Derryberry (longtime Bruce Hornsby guitarist), and the self-titled Blue Dogs was released in March 1997 and sold nearly 20,000 units by the end of that year.
In their earlier, part-time phase (from 1987-1995) the band had produced two studio recordings and one live recording: 1991's Music For Dog People, featuring the all-acoustic trio of Houck, Futch, and Phillip Lammonds, recorded live in one day; 1993's Soul Dogfood -- now featuring a full band and many special guests (including Mike Auldridge of the Seldom Scene on Dobro, and Jimmy Gaudreau of the Tony Rice Unit on mandolin), which created a stew of country and bluegrass mixed with southern rock and funk along the lines of Little Feat; and in 1995, their first live recording, Live at the Dock Street Theatre, recorded in the historic downtown Charleston venue.
Over the years, the band has performed on the same stage with such well-known and diverse artists as Willie Nelson, Widespread Panic, Bruce Hornsby, Lynyrd Skynyrd, and Hootie and the Blowfish. They have also received national exposure by singing the national anthem at the final Southern 500 NASCAR race in Darlington SC in 2004, and in 2007 performing as the house band on a week’s worth of Wheel of Fortune shows.

For more information on the Blue Dogs, please visit the band online at
Music For Dog People (1991)
Soul Dogfood (1993)
Live at the Dock Street Theatre (1995)
Blue Dogs (1997)
For The Record--Live at the Handlebar (1998)
Letters From Round O (1999)
Live at the Florence Little Theatre (2002)
Halos and Good Buys (2004)
Live at the Workplay Theatre (2006) 
Live at the House of Blues (2004) 45 minutes.
Live at the Dock Street Theatre...again (2008) 99 min. 

BLUE DOGS in my view……….by “Beatle Bob”

Bluegrass worthy of being blasted out of the windows of a Plymouth Barracuda with 451 Hemi engine, the Blue Dogs boast a personal history that has endeared themselves to the nascent "alt-country" scene with a whiz-bang melding of roots-rock rumble, bluegrass chicanary, and honky-tonk reverence.

Like mad cutural terrorists, they've taken the norm and fed it through a Americana blender. Youthful and deep-dyed bluegrass taken to the next level - and it is both timely and exciting!

Blue Dogs' fans are predominantly hard-working, twenty-and thirty-plus-somethings who have developed a fierce loyalty and deep love of the collective's conversion-by-force performances. The Blue Dogs’ fierce work ethic - long tours and long sets - and enduring spirit both are genuine. With as big-as-the-room personas, an ability to rock the doors of the most jaded clubs, the heart to hold a room completely still, and a genius for arrangement, these merry makers are one of the most unique bands around. They are in favor of laying themselves at the feet of a rambunctious, freewheeling, unfettered sound, and wood-shedding it until so-called roots revivalists, snooty bluegrass purists, and alt-country poseurs are sent into paroxysms of self-doubt and years of expensive therapy.

And just who are these South Carolinians who dare to breathe fresh life into the overly stoic, staid and mossback world of bluegrass? Anchoring this rambunctious lot with his percussion guitar and gift for lyrics is Blue Dogs founder Bobby Houck. Bobby has testified as a most innovative songwriter and performer, content on warping the classic Nashville sound and embracing the eccentric. Houck can work the crowd like a carnival barker who also happens to write tender, honest songs that move the room to awed silence. His is the voice that gently and at times spiritually strokes the senses like the hairs on a feather, but can still sound like a neat glass of single malt in a world of Michelob Light.

Long-time Blue Dog Hank Futch delivers piledriver upright bass and harmonies directly from the choir (and banter directly from the truck stop parking lot). David Stewart presents a flabbergasting prestidigitation on the electric guitar, and it is rumored that he has never played a bad solo. Ever. Greg Walker provides the fiery percussion and the wild-eyed stares that fans fear to love and love to fear. Guaranteed to lighten up even the sternest-visaged among us, the Blue Dogs provide enough sensory overload to batter back whatever bummed you out to begin with. Do not miss the opportunity to catch the healing power of this band live, who will put a smile on your face and drink one with you after the show.

What's most remarkable about the Blue Dogs' nine CDs and live DVDs is how effortlessly catchy they are. For all the posing, posturing stuff that gets released every year -- you know, the clever-clever, trendy, arch material that critics are supposed to like but nobody buys -- there are always acts like the Blue Dogs -- the sort of group that looks back at the ever-lengthening history of Americana music, pinches the best bits and still comes up with something that sounds original. Musically they stay close to the roots with their stellar ensemble pickin', but their snappy original material and their ability to transform roots-rock chesnuts proves that there's nothing retro or neo in this gang. It sounds like rib meat falling off a bone.

The only real curiosity about the Blue Dogs' career to date is that they their recordings aren't as eagerly awaited with the anticipation that greets the latest Ricky Skaggs or Lyle Lovett. But it's clear that their passion for melding bluegrass and country-rock puts them in the position to bring this lively, distinctly American form of music out of isolation and into the ears and hearts of audiences across the country and around the world. Blessed with an abundance of talent and a lifetime of musical experience, the Blue Dogs have been keeping this flame for twenty years, an heroic task, and they have done so with humility and a deep love that has only gotten deeper over time. Help them, won't you?

Beatle Bob
St. Louis, MO
July 2007